* . * .

X . * . . H . . Note that “H” indicates that the smaller high pitched Agogo bell is to be played and that “L” indicates that the larger low pitched is to be played. X . . * . X . H . * .

:|AGOGO H . . H H H . * . X .

* .

H H .

| . X . Thank you again! :|BELL X . . more * . L . * . H . * . . | . Carnaval Spirit Bateria – Grooves To Live In – Kim Atkinson Package, Carnaval Spirit Bateria – Grooves To Live In – Brazilian Package, Carnaval Spirit Bateria – Grooves To Live In, If you need to review the syllables, hand positions and sounds on your drum, click here, Click here to purchase audio of this show and support the SEVA Foundation. * . . . * . This very useful pattern is used in many forms of music, you may have heard it as bass line. * . * .

. * . L . * . * . * .

* . L . H . miscellaneous 2/3 samba #24/4  |: . H . H H . :|BELL X . Agogo (Bell) Lesson. * .

* .

(Except of course they are MUCH easier to use, and work in your car! * . L . . * . * . H L. Gahu4/4 |: . . . . | . Agogo, a term used by the Yoruba and other Nigerian peoples, is also found in Afro-Caribbean cultures. L. miscellaneous 2/3 samba #34/4  |: .

L L, Extra cool Samba Batucada pattern in 3/2 #24/4  |: . * . :|AGOGO H H . :|AGOGO L . It is a key pattern, in most cases it is a metal bell, such as an agogô, gankoqui, or cowbell, or a hollowed piece of wood, or wooden claves.In band music, bell patterns are played on the metal shell of the timbales, drum kit cymbals. . Speak the sounds out loud and learn to say them effortlessly so they feel like a sentence.

H . :|AGOGO L . X . I find this to be one of the most useful patterns I know. * . | . * . Nota that “H” indicated that the Panderiro as to be played with the head of the hand and “F” indicated that it is to be tapped with the tips of the fingers. . .

* . X . . . Haitian4/4 |: . H H . * . * . X . * . * . H . Bell pattern 1 is the most basic, or archetypal pattern. LP’s Agogo Bells are a pair of steel bells connected by a U-shaped steel handle. H .

H H . * . * . * . X . . . . L . * . | . * . * . :|AGOGO . * . X .

H H . * . * . * .

* . :|BELL  X . L L . X .

Note that “H” indicates that the smaller high pitched Agogo bell is to be played and that “L” indicates that the larger low pitched is to be played. X . . * . H H L . . . . * . * . :|BELL X . L . This is an ancient rhythm from Nigeria, and it shows up many places in African Diaspora music, with different starting points and melodies.

* . X . L L . * .

Cuban (Yesa)4/4 |: . X . I was TRULY impressed with the format and success it gave me and will give others... YOU DID IT! X . . You can practice this on a table, your body, anywhere). * . L L L . :|AGOGO H H . X X, Cascara4/4  |: . * .

X . * . * .

>>      . . H H . Kim!! X, 12/8 |: . H . | . L . H . . * . X XX X .

. .

X . . In this lesson I show you the Highlife Bell pattern. * . It is a form of the Clave rhythm when played in 12 over a main beat of 4. L L . . * . . * . X . L .

X . H L .

H . . * . * . * . * . * . . X . >>      X .

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