This is my favorite Senegalese film. As much as love the energy and surrealism of Mambèty, it is simple yet striking naturalism of Sembène's style that strikes accord with me. © Letterboxd Limited. Faat Kine, as John Mowitt states in “Retakes” is a reconfiguration of Sembene’s previous film Xala, but instead of using a male’s sexual impotency as a metaphor of financial impotency, Faat Kine uses a female’s polyandry and swinging tendencies as a sign of potency and novel change within contemporary Senegalese society. Although gender roles in a highly conservative, religious society is the primary focus, Sembene also finds the time to occasionally comment on politics, the colonial issue and, in a fashion similar to MANDABI, makes his most important points in the final scenes.
Kine, who was born in the year that Senegal gained independence from France, belongs to a sort of middle-generation which holds onto some colonial understandings of social oppression, but also has begun to embrace the international influences of neo-colonialism; Kine has somewhat loose morals which cause problems with her parents, but is unwilling to accept foreign money at her gas station, representing Senegal’s old mistrust for its European oppressors. Ultimately, what Sembene is trying to say is that the Senegal/Africa of his youth is gone and the people who cling to the past are foolish and undeserving of respect.
THEME: On the Margins. Firstly, this film was so beautiful with regards to the colours. This film has some rather saucy adult banter.
One of my fav movies! In Wolof and in French. More. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. It's another important African film. an insight into senegal and a culture i have never had the opportunity to learn about, thanks to the united states being obsessed with only learning about its own history. Now are blowing new winds. I don't know how I had never heard of it. Faat Kiné has noble intentions as a commentary on and criticism of post-colonial Senegalese society, particularly regarding attitudes to women and AIDS. According to the Associated Content review of Faat Kine, “Sembène has mentioned himself that ‘Africa can’t develop without the participation of her women.’”Kine serves as a powerful representation of a strong African woman in the film. black history month film challenge: day 1 -film by african directoreach time i watch a sembene film i fall more in love w his work! It fit with both the beauty and the polticial tones of the film. It’s also beautifully shot, with colors bursting in every scene. If you go into it expecting Hollywood, you quite possibly will be disappointed, but if you go into it realizing that it's a film made in Africa 15 years ago, you can probably appreciate it more. ), this was very enjoyable plus i love listening to wolof, i am going to watch every sembene movie this is so so good. She is a working, independent lady who has been through two marriages and brought up two children who are entering university now.
Venus Seye plays the title character-a single mother and small business owner trying to get by and make do in Dakar, with a mixture of warmth and intelligence that makes the film's examination of her life and the struggles that she's been through immediately compelling-the generation gap as a plot device, and the flashback structure of the scenes help highlight the theme of Senegal's postcolonial progress, and despite the criticism some characters face, the film ends on a warm, optimistic note that highlights Sembene's affection for both his characters and his country. Perfect structured and beautiful observed. Cinema Around the World: Senegal (Part 2). Umgidi (Shadow Dancing) Si-Gueriki (“The Queen Mother”) Long Night’s Journey into Day: South Africa’s Search for … FAAT KINE is by legendary Senegalese filmmaker Ousmane Sembene, who directed one of the other Senegalese films I saw, MANDABI. In the interest of being forthcoming, I will admit that I have very little experience with African films, only having seen two of them prior to watching this one (thanks to a World Cinema course I took this semester).
Very real for today's society. If you like it, try Moolaade' (2004), where Sembene takes on the grueling issue of female genital mutilation - he does so with taste and tact though. A socially progressive Senegalese film with a strong, central female character, Reviewed in the United States on May 3, 2015. half a star off for making me look at feet way too long at the end . Another excellent film by the "Father of African cinema" Ousmane Sembene, Reviewed in the United States on April 26, 2014.
Directed by Ousmane Sembène. In Faat Kine, Ousmane Sembene, the unquestioned father of African cinema, calls his fellow Africans to a reckoning of the post-independence era at the beginning of a new century. Faat Kine; 2013 . especially for women. Another excellent film by the "Father of African cinema" Ousmane Sembene. She is also very human - lots of baggage to get past. A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field. Reviewed in the United States on March 6, 2010. All of these facts are important to know when considering the film. Sembene shows that African women are not wimps in the character of Kine'. We started with Ousmane Sembène and I concluding my week with his film as well. Not least if all—“You are the embryo of free market neo-colonialism.”. through and through again, the systemic shackles she continues to free herself from latch back on, she carries the burden of colonialism's unwavering dominance over African girls in their own society. The opposition between Muslims and Catholics is very important because it is the initial problem preventing Kine and Jean from marrying.
When Kine’s son Djib confronts his and his sister Aby’s fathers, he denies the power of the paternalistic Africa of old, and embraces the matriarchy that has produced him, the society of women that will help to develop the new Africa. Kind of a feelgood ending - success prevails - but it left me reflecting... Good theater as always - from one of the world's great directors. One of the final scenes in the film demonstrates Kine’s influences on her children as a powerful female figure as well as the sentiments of the new generation. The issue of age and values ties into the political one; colonial Africa prescribes to the values held by the older generation of Kine’s parents (especially her father) and post-colonial Africa is more influenced by its past colonizers ideologically than physically, and affects the younger generation of her children. I have to start with a confession.
Uploaded quickly and clearly for my college class. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.
One of Sembene's absolute best films. thanks for this review, it was helpful. There's a problem loading this menu right now. What a great movie! Cinema. The acting was a bit stiff at times, but I can't hold that against the film too much. She went from being a waitress to a business lady in a third world country -- very hard to do with so much opposition from the male. I've never had such powerful urge to clap for a film, shout and clap, cheer for the simple brilliance and power that a film can posses. As a snapshot of Senegal, what this film tells me is amazing. Ousmane Sembene's comedy of social performance. This was a wonderful film about a single mother in Senegal whose grown children try to find her a husband.
swinging back and forth between her crushing past and the promising future of her children, Sembene depicts a woman's journey through a tunnel that never seemed to show her a light. There is not necessarily a clear plot line, but rather a gradual journey through…. Such a nice touch with the canvases on the wall too (of Nelson Mandela, Thomas Sankara, Kwame Nkrumah and Amilcar Cabral). But I learnt an awful lot about his views on feminism through his characters and topics. Made by fans in Auckland, New Zealand.
2001 It shows how one woman can accomplish life without having to be married (especially to the wrong man) and that a female can raise her two children and put them in school to better their lives for their future. Faat Kiné has noble intentions as a commentary on and criticism of post-colonial Senegalese society, particularly regarding attitudes to women and AIDS. Venus Seye's Faat Kiné is a wonderful character that remains always in the center of things even when she seems deceptive pushed aside. Venus Seye Mame Ndoumbé Diop Ndiagne Dia Mariama Balde Awa Sene Sarr Tabata Ndiaye, 120 mins [The Money Order.
I lived in Senegal for 7 years. Much like the trailblazers and martyrs Kiné seeks inspiration from, she seems destined to be pushed around - a "liberated" woman who finds herself…. Director Ousmane Sembene drifted a little to the right in this late film - less sympathy for guys who don't improve their lot.
Mobile site. For all of the fuss being raised about the lack of good roles for women in Hollywood, Ousmane Sembene certainly didn't have that problem here. It also analyzes reviews to verify trustworthiness. Faat Kine, a 2001 film directed by Ousmane Sembene, surrounds a single mother who strives for success for her children, meanwhile her children have their eyes set on finding a suitor for their mother. Faat Kine (2000) [French/Wolof] —. At 77, he sums up 40 years of path-breaking filmmaking with a penetrating analysis of … While MANDABI lamented the loss of traditional Senegalese cultural attitudes and the lingering effects of colonialism in a post-colonial society, FAAT KINE displays a more mature and evolved perspective on what Senegalese society has become and can be. Mandabi (1968). A great movie about African women, their beautiful, supportive relationships with each other, and their everyday acts of rebellion against the fuckery of misogynistic men. Sign in to see videos available to you. rip sembene! This is…. It is the first feature film I have seen from Sembène. Report this film. This film i rightly praised as being feminist, as it features a middle aged African woman who defies patriarchy in order to remain independent and prosperous, and she does so in order to build a good life for herself and for her children. What is valued now is an independent mindset along with a strong devotion to country, i.e., they can't keep living in the shadow of their colonial past and must embrace the hybrid culture which emerged from their independence as a nation.
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