Then put it in the sink and rub it off with my wet fingers. It very much sounds like you need to shoot with already knowing what chemistry you are going to use to develop and adjust accordingly, which I had not been doing. Analog Workflow Forums (100% Analog/Traditional), https://emulsive.org/articles/cinem...-of-motion-picture-film-and-still-photography, https://en.wikipedia.org/wiki/List_...#EXR_color_negative_(ECN-2_process_1989–1996), https://www.kodak.com/US/en/Consumer/Products/Motion-Picture-Films/5207/default.htm, http://www.ultrafineonline.com/motipix.html, (You must log in or sign up to reply here.). The results were very promising, fine grain, nice colours but the halation on highlights was a problem for me.
The backing must be removed in a pre-soak bath of baking soda or ECN2 pre-soak chemical. The cathedral interior and person in the train images are very grainy, yet the robot and boat, exposed at EI125 exhibit fine grain. & Home App.
Phil., That’s some good information to know. includes cinefilm ecn2 processing .
Our film is purchased fresh and direct from Eastman Kodak USA.
This is camera film, to serve as the original negatives the movie is shot on.
Saw your post. Other films in the Vision lineup are used for such things as copying. Deal.
As part of the VISION3 series of movie films, this stock has high archival stability and is well suited to digital post-production processes. Alternatively, for as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. I would agree with them.
Just curious how messy it is? And it is the perfect "middle way" between Vision 3 50D wich is my personal favourite (extreme fine grain / extreme resolution / great colors ) and Kodak Vision3 500T wich is used allways in extreme lighted situations (night shots) with enormious ISO ability.
I just soak it in warm baking soda solution for a few minutes after the blix. Discussion in 'Color: Film, Paper, and Chemistry' started by Eric Rose, Oct 26, 2018. You will see the black rem jet in your water as you rinse. - See links above. It is flexible to push this … free bleach bypass push & pull processing option.
It allows the full EI250 speed and good tolerance for incorrect exposures, it also gave colours that I find more pleasing.
SO yeah, not intended for prints!
VISION3 500T's proprietary advanced Dye Layering Technology (DLT) gives you noticeably reduced grain in shadows, so you can push the boundaries of exposure further and still get excellent results.
Kodak's color motion picture films have an additional layer (on the shiny, not the emulsion side) called a ", Jet".
The extra step to remove the remjet shouldn't be much of a hassle. : Elec. So we can easily supply X-PAN scans and even more. Enter your email address to subscribe to this blog and receive notifications of new posts by email. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high-contrast outdoor lighting to mixed interior light situations.
Why can't I process this film at my favorite C-41 lab? Although technically this film can be processed C-41, this Rem Jet will foul commercial lab's equipment and there for can not be commercially processed.
I picked up a Contax R, I had this Mamiya Super 23 land in my possession t, I’ve just started writing about the MS-Optics 50, @kosmofoto sent me a gift box of 35mm film to play, For a long time I have made an effort to avoid Con, @doragoodman Scura 35mm 3D Printed Panoramic Pinho, Rolleiflex 2.8C Review – Making Friends with a L, Kodak ColorPlus 200 on Nikomat FTN – Colour Negative Photography on the Cheap – By Tom Sheppard, Kodak Ektachrome E100 – First Rolls Review – Pt 4 – Bristol SilverPan Film Lab (incl. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Exposed at EI800 with an 85B filter for exteriors and processed in C41. Hang your film to dry and then scan! The cost of the cassettes was nearly half that of Kodak Portra films, my usual colour neg choice, a handy saving.
The scans from both labs (one with a Fuji the other a Hasslebled scanner) had a similar red cast whether ECN2 or C41 processed, which I easily removed with an adjustment to the red curve in post. DO NOT BRING THIS FILM to a commercial lab or think you can "slip it through" - it will. Learn how your comment data is processed. Ecn2 is supposed to be better for long term color stability compared to cross processing in c41. All the rolls were mostly exposed at box speed for shadow detail at EI250, but I also over and underexposed some negs. includes cinefilm 4k scanning. The C41 processed film has more contrast but with no detrimental effect and colours are natural. I post a lot on Reddit and have a great deal of interest on how to process in the proper chemistry. Untouched Kodak VISION3 features unsurpassedimage quality, real-world flexibility, digitalcompatibility and archival stabilitythat you demand. Once adjusted it was plain sailing. Choose special processing instructions on your processing voucher (Bleach Bypass etc). Test results show dramatically decreased picture quality if processed using C-41. Kodak VISION3 500T is a high-speed, tungsten-balanced movie film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 500-speed index. 35mm Color Bulk Roll (100 ft) - Kodak LOW ISO Color, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 200T, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 250D, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 500T, 35mm Color Bulk Roll (100 ft) - Kodak Vision3 50D, 35mm Vision 3 Film - Kodak Vision3 200T (1 Roll), 35mm Vision 3 Film - Kodak Vision3 250D (1 Roll), 35mm Vision 3 Film - Kodak Vision3 500T (1 Roll), 35mm Vision 3 Film - Kodak Vision3 50D (1 Roll), 35mm Vision 3 Film - Kodak Vision3 Sampler (12 Rolls).
Although technically this film can be processed C-41, this, Jet will foul commercial lab's equipment and there for can not be commercially processed. kodak vision3 35mm 50d, 200t, 250d and 500t. This is the film used to make Hollywood Blockbusters (Like Star Wars!). eval(ez_write_tag([[728,90],'35mmc_com-box-3','ezslot_10',179,'0','0'])); Please note that movie films must go to a lab that can handle Remjet backed films, most labs will refuse, or you can easily process it yourself.
The EC2N images do lack colour and for me don’t look as natural as the C41 images.
Each package comes in a set of four cartridges with 36 exposures each. includes 21.4 megapixel hdr scanning. The film tolerates overexposure well, it has a lower contrast and the colour palette is more muted compared to C41 processing.
If your lab has access to a dedicated motion picture film developing system in-house, then you’re all set. We close every Friday evening to Saturday evening for Shabbos.
In addition to the normal directions for C-41 home-processing please add the following step. If I don't nail the exposure the photo goes pretty grainy and messy. That leaves (per my first cup of coffee brain foggy list) contrast difference.
A little bit of Hollywood in your 35mm still camera?
Something a little unusual for this feed - an albu, This is a neat little lens - it’s an Orion-15 28, This all escalated quickly. © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Different gamma, different gamma between the color layers, different dyes and therefore processing. It is a film lab in Moscow and just one seller on eBay. All other standard return policy conditions apply.
free 2/3/4 perf scanning option. The C41 lab was Exposure Film Lab, the ECN2 lab was Silverpan Film Lab. Thanks for sharing this. JPG previews and JP2 images in RAW quality will be shared within two weeks after receiving your films for development. Deal. Once adjusted it was plain sailing. When I do nail it the results are quite spectacular. It has an orange base similar to the film we use in our still cameras.
Yes! If you don't like the adverts you can subscibe here and they will disapear. With your thumb, gently rub the non-emulsion side of your film as you remove it from your film reel. One would expect ECN-2 to provide the better performance (specially since Kodak touts the exposure latitude of these films under ECN-2, the process it was designed for), though with flatter contrast and colours.
eval(ez_write_tag([[250,250],'35mmc_com-medrectangle-4','ezslot_11',181,'0','0'])); In C41 chemistry EI250 is correct.
Careful not to scratch the emulsion of your film. Exposed at EI800 with an 85B filter for exteriors and processed in C41.
SILBERSALZ35 is designed to be processed in True Cinefilm ECN-2 chemicals only. I find using ECN as stills can be more finicky than C-41 films. #0907905; Sec. For best results your film should be stored in the fridge and shot within 6 months.
Welcome to the Film Photography Project Store, A little bit of Hollywood in your 35mm still camera? cintel raw scans via optional hdd. NEGATIVE RETURN BOOKABLE AFTER SCANNING FOR 4.90 EUR. The results were very promising, fine grain, nice colours but the halation on highlights was a problem for me. I print RA4 BTW, which probably matters. Alternatively, please feel free to chuck a few pennies in the tip jar via Ko-fi: kofiwidget2.init('Support Me on Ko-fi', '#46b798', 'D1D0KHG8');kofiwidget2.draw(); Learn about where your money goes here. That said, if ECN2 processed film is exposed carefully at EI125, the results can be very good if you like softer colours. untouched kodak vision3 for 35mm photographers.
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