The Villa Borghese, a villa located within the grounds, is a monument to the Borghese family, who dominated the city in the early seventeenth century. but the second and the third parts of the poem had already a very Lento movement and thus Respighi associated the pines of Via Appia Antica with the marching of the
in the deepest hours of midnight it resounds pines can be found in its southern and western parts, while the older part of the Villa, behind the Casino, is Roman legions returning from a victory in the East and he closed his work with a triumphal march.
The piece, which depicts pine trees in four locations in Rome at different times of the day, is the second of Respighi's trilogy of tone poems based on the city, along with Fountains of Rome (1917) and Roman Festivals (1928). The score of Pines of Rome calls for three flutes (third doubling piccolo), two oboes, cor anglais, two clarinets in B♭ and A, bass clarinet in B♭ and A, two bassoons, contrabassoon; four horns in F and E, three trumpets in B♭, two tenor trombones, bass trombone, tuba, six buccine in B♭ (two sopranos, two tenors, two basses; usually played on flugelhorns and saxhorns); a percussion section with timpani, bass drum, snare drum, cymbals, two small cymbals, tam-tam, triangle, ratchet, tambourine, glockenspiel; organ, piano, celesta; harp; gramophone; and strings. La création a été faite au Teatro Augusteo.I Pini di Roma è un poema sinfonico composto nel 1924 da Ottorino Respighi. painted cupboard in Biblioteca Vaticana - ca 1860, Villa Borghese (near Tempio di Esculapio), S. Nicola di Bari It is the Italian composer’s tribute to scenes around his country’s capital, some contemporary and some recalling the glory of the Roman Empire. Pines of Rome is the second in a series of three tone poems by Respighi known as the Roman trilogy.  It is a majestic dirge, conjuring up the picture of a solitary chapel in the deserted Campagna; open land, with a few pine trees silhouetted against the sky. The fourth and final movement of “Pines of Rome” takes place on the Appian Way, recalling the pines along the great military road leading into and out of Rome. Pines on the Janiculum: (left) at Casino Farnese; (right) at Faro del Gianicolo(Lento). Pines of Rome, Italian Pini di Roma, tone poem for orchestra in four movements by Ottorino Respighi, premiered in 1924 in Rome. Fontana di Trevi in the afternoon (Allegro moderato, The three tone poems of Respighi’s Triptych – Fountains of Rome (1916), Pines of Rome (1924), and Roman Festivals (1928) – each richly evoke different aspects of Roman landscapes and culture. the design of gardens. Updates?
, Pines of Rome is easily the most prolifically recorded of all Respighi's works, frequently released as part of his trilogy of Roman-inspired works, but just as often not. Pines near Tempio di Vesta and Tempio di Portuno.
As of 2018, more than 100 recordings of the piece are currently available on physical media alone. the fountain of Valle Giulia at dawn (Andante mosso)
evolving into a totalitarian regime where the memories of Ancient Rome were exploited to support aggressive and nationalist policies. It is Respighi’s most frequently performed work. Via Appia Antica is flanked by cypresses and pines: next to many Roman tombs there is a pine and pines surround the abandoned church of S. Nicola di Bari It was preceded by Fountains of Rome (1914–16) and followed by Roman Festivals (1929). All images © by Roberto Piperno, owner of the domain.
In the second movement, the children suddenly disappear and shadows of pine trees that overhang the entrance of a Roman catacomb dominates. The musical theme mirrors a nightingale singing from a pine. Pines in Via Appia Antica(Tempo di Marcia).
The Pines Near a Catacomb (I pini presso una catacomba, lento).
In alto c'è un pino distorto;sta intento ed ascolta l'abissocol fusto piegato a balestra. It is the Italian composer’s tribute to scenes around his country’s capital, some contemporary and some recalling the glory of the Roman Empire. Pines of Rome is structured in four movements played without pause so that the music flows uninterrupted from beginning to end. Very close to the catacombs there are other pines next to a sort of modern catacomb. Pines of Rome, Italian Pini di Roma, tone poem for orchestra in four movements by Ottorino Respighi, premiered in 1924 in Rome. intently it listens into the abyss The catacombs of S. Callisto (a property of the Holy See) have been decorated with long alleys of cypresses, chosen as a symbol of mourning.
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