Loughlin writes of the lack of background, "The origin of the city is off-stage, unknown and unknowable."  It has additionally been described as Kafkaesque, and Proyas cited the TV series The Twilight Zone as a conscious influence. They reintroduce and walk to Shell Beach, beginning their relationship anew. Murdoch attempts to discover his true identity and clear his name while on the run from the police and a mysterious group known only as the "Strangers.
Utilizing his newfound powers, Murdoch begins reshaping the city, returning the sun, flooding the areas surrounding the city with water and forming mountains and beaches, creating the actual Shell Beach.The Strangers who survived Mr. Book's death retreat from the sunlight to die underground. They confront Schreber, who explains that the Strangers are extraterrestrials who use corpses as their hosts. The lair set was built on a fairground in Sydney, Australia.
While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. He went on to say, Proyas was "trying simultaneously to create a pure thriller and sci-fi nightmare along with his tongue-in-cheek critique of artifice. Dark City is a 1998 neo-noir science fiction film directed by Alex Proyas and starring Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, Richard O'Brien, and William Hurt.
In the room, Murdoch discovers the corpse of a ritualistically murdered woman along with a bloody knife. , The film soundtrack was released on 24 February 1998 by TVT Records label. During the telephone conversation, John discovers the corpse of a brutalised, ritualistically murdered woman, along with a bloody knife. The film's style is often compared to that of the works of Terry Gilliam (especially Brazil). For the theatrical release, the studio was concerned that the audience would not understand the film and asked Proyas to add an explanatory voice-over narration to the introduction.
" Describing some pitfalls, Jeff Vice of the Deseret News said that "when critics talk about films being 'style over substance,' they're definitely talking about movies like Dark City, which looks good but leaves an unpleasant aftertaste.
He flees the scene, just as the group of pale men in trenchcoats (later identified as "the Strangers") arrive. In the chase, he discovers that he has psychokinetic powers like the Strangers, which he uses to escape from them.Murdoch questions the dark urban environment and discovers through clues and interviews with his family that he was originally from a coastal town called Shell Beach. John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders.
Schreber, having worked for the Strangers, betrays them by instead inserting memories in Murdoch that train his tuning abilities.  Some stylistic similarities have also been noted to Jean-Pierre Jeunet and Marc Caro's 1995 film The City of Lost Children, another film inspired particularly by Gilliam (Gilliam had presented Jeunet's and Caro's previous film Delicatessen in North America, another film by Jeunet and Caro that was a deliberate homage to Gilliam's style).
When Proyas visited London to cast for the film, he met with O'Brien and found him suitable for the role. Corliss, Richard (2 March 1998). He opens a door leading out of the city, and steps out to view the sunrise. Murdoch is eventually caught by Inspector Bumstead, who acknowledges that Murdoch is most likely innocent, and by then has his own misgivings about the nature of the city.  Tatopoulos described the city:. A director's cut was released in 2008, restoring and preserving Proyas' original artistic vision for the film. But, Lord, is Dark City a wonder to see. A director's cut of Dark City was also officially released on DVD and Blu-ray Disc on 29 July 2008.
 Comparisons have been made between scenes from the movies, making note of similarities in both cinematography and atmosphere, as well as the plot.. John Murdoch (Rufus Sewell) wakes in a hotel bathtub, suffering from what seems to be amnesia. We laid some rail for it to ride on.  Biodrowski concluded, "Dark City may not provide profound answers, but it deals seriously with a profound idea, and does it in a way that is cathartic and even uplifting, without being contrived or condescending. Murdoch flees the scene, just as the Strangers arrive at the room.
 Similarly, David Sterritt wrote in the Christian Science Monitor that "The story is dark and often violent, but it's told with a remarkable sense of visual energy and imagination. A piece will look like a street in London, but a portion of the architecture looks like New York, but the bottom of the architecture looks again like a European city.
 In one of the documentary shorts featured on the director's cut, the influence of the early German films M and Nosferatu are mentioned. ", Left unimpressed, Marc Savlov of The Austin Chronicle wrote, "You really have to feel for Alex Proyas. Proyas originally wanted the rail car to roll by various rooms, which was not feasible for the budget, so Tatopoulos and the crew used "replaceable elements and strong design textures" to mimic the impression of various rooms.
 At Metacritic, which assigns a weighted average out of 100 top critics' reviews, the film received a score of 66 based on 23 reviews.
Find trailers, reviews, synopsis, awards and cast information for Dark City (1950) - William Dieterle on AllMovie - Though he had previously appeared in David… At midnight, he watches as everyone except himself falls asleep as the Strangers physically rearrange the city as well as change people's identities and memories.
| He felt the film's "twisting of reality and its daring look—layered and off-kilter grays, greens and blacks—make it click. , The city in Dark City is described by Higley as a "murky, nightmarish German expressionist film noir depiction of urban repression and mechanism". Biodrowski writes, "As the story progresses, the pieces of the puzzle fall into place, and we gradually realize that the film is not a murky muddle of visuals propping up a weak story. , Proyas co-wrote the screenplay with Lem Dobbs and David S. Goyer. The lair also had a rail conveyance that appeared expensive. Murdoch however becomes more than Glaucon; Loughlin writes, "He is a Glaucon who comes to realize that Socrates' tale of an upper, more real world, is itself a shadow, a forgery. , The film also contains motifs from Greek mythology, in which gods manipulate humans in a higher agenda. Murdoch opens the door leading out of the city, and steps into sunlight for the first time. , The film was released in VHS video format on 2 March 1999. Proyas said, "I do like Greek mythology and have read a little of it, so maybe some of it has crept into the work, though I don't completely agree with that point of view. Film critic Roger Ebert cited it as the best film of 1998. Parents Guide, Chris Makrozahopoulos
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